24four



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klammer


Hélio Oiticica- Metaesquema- 1958
"Painting met its death sentence when the process of taking over the experimental started."
-Oiticica, “Experiment o experimental”

Hélio Oiticica- Metaesquema- 1958

"Painting met its death sentence when the process of taking over the experimental started."

-Oiticica, “Experiment o experimental”

03:57 pm, by 24four67 notes

Nam June Paik- Zen for Film- 1964

"No movie ever looks quite the same. No movie IS quite the same. A movie is a thing alive, and it slowly dies. In that vulnerability, of film’s materials and of our own awareness, is the richness of the movie experience."

-Sheldon Renan, “The Blue Mouse and the Movie Experience” in Film Culture 43, 1966

01:17 pm, by 24four



Rachel Whiteread- House- 1993

Rachel Whiteread- House- 1993

06:30 pm, by 24four2 notes

gallowhill:

Robert Kinmont - 8 Natural Handstands, 1969

For Huzzlebuzz


Sarah McEneanery- Animal Thirst- 2012

Sarah McEneanery- Animal Thirst- 2012

02:27 pm, by 24four7 notes

Sarah McEneanery- Red Cross- 2011

Sarah McEneanery- Red Cross- 2011

02:20 pm, by 24four1 note



drspungo:

The American Soldier (Fassbinder, 1970)

drspungo:

The American Soldier (Fassbinder, 1970)


The witch-hunt, then, was a war against women: it was a concerted attempt to degrade them, demonize them, and destroy their social power. At the same time, it was in the torture chambers and on the stakes on which the witches perished that the bourgeois ideals of womanhood and domesticity were forged.
Silvia Federici, Caliban and the Witch (via goneril-and-regan)




somedevil:

Hélio Oiticica- Limite Lumificaças- 1958

somedevil:

Hélio Oiticica- Limite Lumificaças- 1958


branduponthebrain:

The Act of Killing (Joshua Oppenheimer, 2012)

09:56 pm, reblogged from  by 24four27 notes